Three Thousand
2017
14 min
Coming soon
In this short film, Inuk artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.
Details
In this short film, Inuk artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light.
Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.-
writerAsinnajaq
-
directorAsinnajaq
-
animatorJonathan NgPatrick Defasten
-
field recordingAsinnajaq
-
editorAnnie Jean
-
original musicOlivier Alary
-
throat singingTanya TagaqCelina Kalluk
-
singerAsinnajaq
-
sound designCatherine Van Der Donckt
-
sound editingCatherine Van Der Donckt
-
sound consultantBenoît Dame
-
foley artistKarla Baumgardner
-
illustrationsNaluturuk WeetaluktukTanya Innaarulik
-
researcherAsinnajaq
-
consultantAlethea Arnaquq-BarilTanya TagaqGeronimo InutiqJudith Gruber-Stitzer
-
online editorYannick Carrier
-
head of coordination and project supportPierre Ferlatte
-
head, Technical resourcesSteve Hallé
-
project technical coordinatorJean-François Laprise
-
digital editing technicianPierre DupontIsabelle PainchaudPatrick Trahan
-
technical director, animationÉloi Champagne
-
technical animation coordinatorRandall Finnerty
-
re-recordingGeoffrey Mitchell
-
foley recordingGeoffrey Mitchell
-
voice coachingAlanis ObomsawinJobie Weetaluktuk
-
translationJobie WeetaluktukMylène Augustin
-
marketing managerAmanda Laukys
-
publicistPat Dillon
-
senior production coordinatorCamila BlosIsabelle Limoges
-
production coordinatorChristine Williams
-
program administratorLeslie Anne PoyntzCamila Blos
-
producerKat Baulu
-
executive producerAnnette Clarke
-
executive directorMichelle van Beusekom
Education
Ages 12 to 18
Arts Education - Art
Geography - The Arctic
Indigenous Studies - Arts
Indigenous Studies - Identity/Society
A visually poetic short film connecting Inuit past and present that could inspire creative thinking towards a beautiful future. What sort of emotions are evoked with the melding of the archival realist imagery and the liquid abstract art imagery? How can this film be used as a vision of hope for Inuit and Canadian society as a whole? Name and learn about the many entry points for further learning that this film reveals (e.g., dog sled teams, food rations, harvesting of traditional food, and northern lights stories). Choose a scene and delve deeper into the Inuit context of the present and past. Why is it imperative to create visions and actions that inspire hope?
