Francesca D’Amico-Cuthbert is an award-winning historian of American and Canadian Hip Hop culture, the creative industries, and the music marketplace. She holds a Ph.D. in History from York University in Toronto, Canada (2019) and has served as a postdoctoral researcher at the University of Toronto (2020-2022) and the University of Calgary (2022-2023). Her doctoral research traced how American emcees in the era of mass incarceration constructed complex ethnographies of urban spaces, transformed dispositions of power, and unmasked the modes and mechanisms of a persistent and haunting coloniality in the afterlives of American slavery. Her recent postdoctoral research explores Canadian Hip Hop’s relationship to national mythmaking, commerce, anti-Black market segmentation and the availability of state revenue streams and marketplace exposure. Her research has been published in: #HipHopEd: The Compilation on Hip Hop Education, The Journal of Canadian Historical Association, Canadian Journal of History, Musicworks, and The Dance Current.
As an Hip Hop educator Francesca has taught several courses on the histories of popular culture, including “Hip Hop and the City” – a course that explores Hip Hop’s evolution from a translocal urban art form to a global commodity. In addition to being a multi-disciplinary creative with training in vocal and instrumental music, dance, and the dramatic arts, Francesca also serves as the Chief Research Officer at the New York City based Hip Hop Hop Education Center where she works collaboratively to establish Hip Hop Education standards and the professionalization of the field.
